7.7.17

Aesop Rock - "Get Out of the Car"



Aesop Rock is an unusual specimen for a lot of reasons, but here's my favorite: he continues to improve with age. That's rare. To be more specific, that is rare as fuck.

I didn't get the appeal for awhile and still harbor no love for his early works, but the dude changed abruptly with Fast Cars, Danger, Fire and Knives. No mistake, a different rapper.

He always had a gift for turn of phrase, he always had that eye for the right detail, but what really came together was his flow. Bars that used to be uneven, cramped & stuttering suddenly turned lean. Perfect, even.

What followed has been a trilogy of magnificent word cinema. He makes very good albums. This is a writer who can do whatever he wants, and wants to do new things. Mostly. Sometimes he just makes bangers, too.

The treatment for "Get Out of the Car" could be sentimental cringe, if not for the quality of the art. What really sells it, of course, is that verse -- veering from wry to broken and back in the space of a single line. The balance of raw and calculated here cuts deep.

Aesop Rock is another example of an Ideal Rap Career Outcome. Being able to tour at will, to improve upon your best album twice in a row, all without having to endorse any products or maintain a Twitter account...that's juice. That takes a lot of work.

Definitely have some doubts about doing two Four Dicky reviews in a row, but it'd be a lie to rank this any lower.

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