Showing posts with label Quality Albums. Show all posts
Showing posts with label Quality Albums. Show all posts

5.7.14

Mello Music Group - Mandalas Vol 1 & 2



A strong contender for Best Rap Project of 2014, at this point. This absurdly over-stuffed collection is a testament to the roster Michael Tolle has built.



"An embarrassment of riches." MMG's output in 2014 has been nothing short of absurd: Apollo Brown, L'Orange, Open Mike Eagle...an almost unfair level of bi-coastal consolidation of talent.



It must not go without comment that the cover art is gorgeous work. That's Matt Andres and you should hire him. Soon.

4.7.14

KNife - "Iconoclast" - The Whole Album



Happy Jesus Founding America Day. The Georgia-based rap phenom KNife has released a new album today, and taken the rather unusual but highly appreciated step of putting the whole thing up on YouTube.

In related news, holy fuck this dude is a good rapper. Production here manages to meander all over the map yet still feel like a cohesive album, probably thanks to a short, All Killer No Filler runtime. This is flames: experimental but never irrelevant, serious but never boring, and risk-taking without face-planting. "Iconoclast" is an achievement.

...which can be downloaded here. Do that there.

22.6.14

DISPATCHES: "Curse of the Kennedys" - Apathy

Uncle Hump Sez: We're bringing in some new blood for Real Yeti Rap, starting with rap curmudgeon Louis Mackey. What follows is an unadulterated transcript of this Thinkingses. Bon appetit.



Being a rapper for over a decade now, I’m usually turned off by 98% of the stuff I hear and see garnering praise. I don’t think I’m bitter (though I may be), I just don’t have the stomach for it anymore. I’ve heard it all, and when someone new comes along, I most often see the old and a bunch of kids who’d never known about the source of the schtick or people my age who’ve forgotten. But for some reason, I’ve always been really drawn to Apathy’s impossible, somehow unique cocky approach to writing and lyric delivery. The fact that his fanbase has skyrocketed in the past 4 years affirms that I’m not alone in this appreciation. I don’t think he’s as unique as say, Kool Keith, but he’s really damn good.

Apathy is the golden child of 90s east coast rap (though he claims to have been influenced by the West Coast as well). His hubris has always been so perfectly ironically detached while he remains seriously, completely there. One of the most apparent things about it is the sonically pleasing syllable symmetry; he doesn’t always employ polysyllabic rhyming, which is a mortal sin in my personal holy book of rap transgressions, but he’s unusually interesting and most often possesses that above average poetic ability to say something in a way you’ve always imagined but never been able to make effable: To stand up in front of a crowd, speak and have them look back at you in wonder, actually interested in your next line. Or maybe if you could translate some of Kubrick’s or Welles’ most sublime scenes into print (or not), See from “The Curse of the Kennedy’s”:

Heavenly Father... please wash all of my sins
While I wash away my pain
With this tonic & gin
While I vomit in the sink
And think of ominous things
Like Atomic bombs
Never let the communists win
Live from the Bay of Pigs
It's obvious lies
When anybody denies
All the mafia ties
You surprised?
It's Jack, it's Bobby, it's even Teddy
Reversed on my enemies
The Curse Of The Kennedys…

As far as concept songs go, that’s a damn solid closer. I’m reminded of the photos that accompanied some of my junior year history class lectures on John Kennedy of him staring out of the White House windows during the Bay of Pigs, thinking about how absolutely fucked we all might be. Thus I can appreciate this conceptual angle and the arc of the entire narrative, though the above quote is my personal favorite.

I’m sure someone somewhere has tried to be the rap John Kennedy, in fact I’m certain of it; but what Apathy does seems original, whatever original might be, where he creates a somewhat random melange of various ideas and themes (ahem, see the Dioscuri, ahem) centering around the entire Kennedy family, going in and out of 1st and 3rd person while always reverting back to his comfortable and natural unapologetic braggadocio. And while his multi’s aren’t always perfect, they’re close enough because we’re compensated by the imagery of his verses and the noir feel of the video.

If I had to complain about something, it would be the stupid fucking chorus with the Jay-Z chopped vocals. I love Hova but goddamn Ap, you can do better on your choruses.

Nevertheless, in my opinion, as a whole, Connecticut Casual might prove to be one of Apathy’s best works yet, if he can just stop talking about wearing fucking Sperrys.

22.5.14

"A Clean, Well​-​Lighted Place" - PremRock



This right here is certified goods. PremRock returns with a dang album of diverse & cohesive rappage. In particular, we would like to call your attention to "Criminal Childish," which features Philly phenom Curly Castro over a Blockhead jazzbanger. This is All Good Shit.

21.5.14

"Spontaneous Grooves: Episode 20" - Central Parks & Es-K



This is a pretty huge slice of MPC artistry right here. Everything thumps and this is an album with huge horizons; there's clearly some fertile soil chemistry going on between the two producer-scientists.



This minor masterpiece got hashed out in late night sessions at NEKtones Studio in Burlington, VT with the NEK legend Walter Westinghouse presiding.

3.1.14

"People Hear What They See" - Oddisee



Dense, thoughtful, brilliant. This is one hell of an album.

2.1.14

"Wrecking Crew Presents Wu-Tang Pulp"



Day Two is a pretty easy pick: this Wu-Tang tribute project is completely unhinged, meticulously accurate yet casually blasphemous. It winds up taking nearly every track over the event horizon, from cover songs into something more like an unauthorized sequel. It also bangs.



The writing stays fresh and you probably don't have to get the 10,000 in-joke that got origami folded into fabric here in order to enjoy the show. As headphone candy and slow ride soundtrack, this is one hell of a trip.

1.1.14

"The Everafter LP" - Witness





Starting off 2014 with a week of album recommendations. This is a tasty, jazzy and distinctly boozy piece of art and a beautifully coherent album. That's rare enough to get some gushing praise from a grizzled hater like Uncle Hump. This album immediately finds an original angle and sticks to it, front to back.

Witness writes damn fine bars and also produces most of the tracks on this album. As I'm sure he would put it himself: this shit goes hard in the paint.

17.9.13

#DAUG - "Breakup Music" - Humpasaur Jones

Breakup Music | Dr Quandary x Louis Mackey x Hump Jones

Finally. Yes. Breakup Music dropped on Labor Day 2013. We are hugely relieved to have this done, and pretty damn proud of it, too. Album is free, or feel free to donate some money for the World Around cause. We always like that.



See Also: Potholes coverage & Answering Questions about Breakup Music.

21.2.12

Milo Takes Baths




This wins on many fronts: innovative beats, original and intricate lyrics, and creative but creepy cover art, too. Full package art rap, we dig it. Thanks to Lesson 6 for the heads-up on this cat.